Jenny Jackson on Writing Bestsellers and Editing Literary Icons | Open Book with Jenna

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About this episode Jenny Jackson discusses her dual career as an acclaimed editor at Knopf and bestselling author, revealing how … AI summary

Jenny Jackson discusses her dual career as an acclaimed editor at Knopf and bestselling author, revealing how she navigates professional jealousy by treating it as useful data for her own creative ambitions. She shares that her writing often serves as wish fulfillment during stressful life periods and emphasizes the importance of fictionalizing hometowns to overcome imposter syndrome and protect privacy. The conversation highlights the cyclical nature of publishing trends and the value of creating polarizing content that sparks conversation.

Key takeaways 6
  • Publishing is cyclical: Successful books often start trends that others follow two years later (e.g., 'Gone Girl' started the psychological thriller era, 'Crazy Rich Asians' started the rom-com jacket trend). To sell huge numbers, publishers must give readers something they didn't know they wanted, not just predictable comps.
  • Professional jealousy is a strategic tool: Unlike personal jealousy, professional jealousy indicates what you want to do next. If you feel jealous of someone's success or role, it is information about a goal you should pursue.
  • Fictionalizing hometowns reduces imposter syndrome: Jenny Jackson changed her real hometown name to 'Greenhead' to avoid being corrected on local details (like bar counts or business hours), which allowed her to write more freely and creatively.
  • Writing as wish fulfillment: During the isolation of COVID, Jackson wrote about social gatherings, flirting, and gossiping because she was missing those experiences while homeschooling her children in the country.
  • The 'Half Love/Half Hate' metric: Jackson prefers publishing books that half the people love and half hate over books that 90% of people like 'a lot,' because polarization drives conversation and engagement.
  • Editorial boundaries: When acting as an editor, she is 'church and state' about her role, never asking writers to read her work or seek her advice on her own books to ensure total focus on the author's project.
Notable quotes 5 AI-generated: wording and quote attribution may be wrong. Use the play link to verify.
  • “I would rather publish a book that half the people love and half the people hate than a book that 90% of people like a lot.”
    ▶ 0:08 Explaining her philosophy on creating impactful, conversation-starting literature rather than safe, universally mild content.
  • “I've come to regard professional jealousy as something a lot more positive than personal jealousy... If you see somebody getting success... and you feel jealous, hey, is that something I want to be doing? Hey, I should try and do that.”
    ▶ 10:04 Reframing jealousy from a negative emotion into actionable career guidance.
  • “Being a book editor... you have joined the greatest book club on the planet... You have your boss giving you a man to discuss with the other assistants at work... I was a goner. I loved it too much.”
    ▶ 9:04 Describing why she stayed in editing for 25 years despite originally wanting to be a writer.
  • “Everything you fall in love with about the person is what ends up driving you crazy about the person 25 years in.”
    ▶ 26:19 Quoting Maria Shriver regarding the duality of her husband's character traits in her novel.
  • “If you ever want to write something negative about someone but don't want them to object, just talk about how utterly gorgeous they are... It's like a compliment sandwich. Start with the beauty and then get into the true shade.”
    ▶ 36:38 A humorous tip from a New Yorker editor on how to disguise criticism in fiction.

Chapters & Sections (25)

0:01 The Reality of Book Editing and Publishing chapter 2
2:34 Editorial Duties and Book Discovery
4:44 Identifying Trendsetting Books and Market Cycles
6:50 Books Sparking Disagreement and Professional Jealousy chapter 2
9:04 Loving Editing and Professional Jealousy
10:14 Reframing Professional Jealousy as Useful Information
11:52 Writing as Wish Fulfillment and Balancing Roles chapter 3
13:10 Writing as Wish Fulfillment and Accountability
14:26 Accountability and Dual Career Paths
15:43 Editorial Boundaries and Book Reception
18:19 Navigating Middle Age Friendship Friction chapter 2
20:23 Middle Age Friendship Divergence and Friction
21:57 Forgiveness and Parenting in Friendship
23:26 Real Life Inspiration for Fictional Characters chapter 1
24:51 Real Life Traits Inspiring Fictional Characters
27:58 Fictionalizing Towns and Modern Marriage Scandals chapter 2
29:49 John Updike's Couples Scandal
30:58 Contemporary Marriage and Celebrity Scandals
32:34 Writing Ethics and Disguising Real People chapter 2
34:27 Drawing the Line Between Fiction and Reality
35:31 Handling Real Life Inspirations in Writing
36:57 Writing Process, Screen Adaptations, and Book Recommendations chapter 3
38:49 Character Development and Screen Adaptation
40:22 Writing Routine and Book Recommendations
42:07 Discussing Marguerite Duras and Texas Literature

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