Peter Asher details his transition from pop star to record producer and manager, highlighting his discovery of James Taylor at Apple Records and his work with Linda Ronstadt. He provides technical insights into 1960s recording techniques, the Beatles' songwriting process, and the importance of identifying unique vocal talent in the music industry.
“Once I discovered what a record producer could do, you know, that you could hire musicians vastly better than yourself and tell them what to play, I thought that was brilliant.”
“It's not not often that somebody will take themsel out of the spotlight and make it about somebody else. That's true, I suppose. Yeah. But I I would that's what I was determined to do.”
“I think it makes the difference, whatever that feeling is... You're probably doing it this way... still think that there's a way there's something about the fact that you're not just singing at the same time but you're singing into the same physical capsule you know so your voices are internally conjoined and that balance is the balance”
“I don't know. I mean, we we lucked out. We had the right song. Um, Linda sang it brilliantly, but um it was just it was one of those cases where you you work a couple of days on a record in the studio and you kind of go, if this isn't a hit, I don't know what is.”
“He said, 'You won't have to tour anymore. You can have a normal schedule. You'll make the same amount of money that you're making now.' And I thought I said I said, 'You're crazy. I'm not I'm not done. I'm a star. I'm a star, baby.'”
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