Results for “movies”
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Robert Rodriguez: Sin City, Desperado, El Mariachi, Alita, and Filmmaking | Lex Fridman Podcast #465
1:44And just like with our movies, you watch it all fall apart, you watch this thing blow up, you watch this thing not work.6:39that in "Dusk till Dawn", I did it again. So those movies came out within six months of each other.10:39Just know it's probably all gonna fall apart. It's just like the movies, you come up with your plan of what you wanna accomplish.
Michael Biehn Returns to Argue About Movies, Politics, and Our Future | Ep 244 HTBITY
41:31about. But I I uh my podcast has more to do with like movies and making movies56:48Wow. Yeah. This was what I have to say is because there's been a couple movies this year57:07think it's been a horrible year. the the movies that could very easily that seem to win the you know the the earlier the
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The Collapse Of Satanic Hollywood With Peter Hyoguchi Episode 960
Hollywood's output has collapsed: The number of movies released in January dropped from 31 in 2000 to just 9 in 2026, contributing to a lack of quality content and driving audiences away from theaters.takeaway“In the year 2000, collectively, Hollywood released 31 movies to the movie theaters... In January 2026, nine. So we're going from 31 movies in theaters to nine movies in theaters.”quote“If you have a good movie like Top Gun, people will come see it... The problem is there's not enough movies.”quote
Jessimae's B.A.M. (Bong And Movie) featuring THE BARBARIAN
The session serves as a tribute to her late father, who loved horror movies, while promoting her comedy tour dates and grief-focused podcast.summaryBenign Masochism: Jesse May explains that women often enjoy horror movies because they provide a controlled environment to process real-life fears, allowing them to feel a sense of control over chaos.takeaway“This is in honor of my dad, Joey P. Joe Paluso. We used to watch all the scary movies together. And it was just the worst movies and the best movies.”quote
Jason Blum in conversation with James A. Janisse at Live Talks Los Angeles
Blumhouse's core model involves making fully independent movies with low budgets and short schedules, then securing studio distribution, a strategy that works best in the horror genre due to its commercial viability.takeaway“If you want to do it [invest in movies] is like giving money to a museum to support art... if you ever think you're going to get money back you won't or buy a lottery ticket it's the same same same chances.”quote“Horror movies as you know are really the scares only work if the drama and the writing works... You don't if if you're not involved and engaged in the storytelling, the movie the best jump scare in the world doesn't worquote
Holly Robinson Peete Brings Talks Hallmark Channel In ‘Christmas in Evergreen: Bells Are Ringing’
Holly Robinson Peete discusses the emotional impact of losing a beloved dog, the challenges of parenting during the pandemic, and the importance of holiday movies for providing normalcy and gratitude.summaryPandemic Parenting: Holly took her four children to Canada for two months to shoot Christmas movies, allowing them to access gyms and movie theaters while adhering to strict government quarantine protocols (daily temperatakeawayHoliday Movies as Therapy: Holly views holiday films as essential content that provides a sense of normalcy and reminds audiences of things to be grateful for during chaotic times like the pandemic.takeaway
Another Break Up!? ft. Will Sasso & Chad Kultgen | Ep 127 | Bad Friends
The hosts debate the cultural irrelevance of modern movies compared to streaming content, the rise of parasocial relationships with AI-generated influencers, and the potential obsolescence of live performance in favor ofsummaryCultural Relevance of Movies: Chad Kultgen argues that movies have lost cultural significance, citing 'Top Gun' as a box office success with zero cultural impact, and claims 'The Room' was the last artistically relevant takeawayStreaming vs. Cinema: The decline of movie theaters is attributed to streaming platforms needing constant content volume, making movies merely episodic content for subscriptions rather than cultural events.takeaway
