Results for “ballet”
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The Swans of Harlem at Live Talks Los Angeles
2:23Connecticut at a very young age she danced and she was very little about three and ballet was it for her2:44quite hard for her to uh State her her major which would have been ballet there3:05for for ballet dancers so I think you better get your point shoes and go up in audition so she goes up town and
Gaten Matarazzo & Sean Giambrone - Mark Normand & Sam Morril - We Might Be Drunk Podcast
18:30know, he uh he made fun of ballet ballet. It's like, dude, we started another war.18:47going on and we're like opera. You should on the opera. And I and I have respect if you are into ballet or opera especially ballet because that's like18:55transitory that career you only get a few years right what do you retire like 28 for ballet but at the same time you
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See all ›The Swans of Harlem at Live Talks Los Angeles
Five pioneering African American ballerinas from Dance Theatre of Harlem share their journeys of breaking racial barriers in ballet, the mentorship of founder Arthur Mitchell, and their current efforts to preserve their summaryArthur Mitchell founded Dance Theatre of Harlem in 1969 as a civil rights movement, aiming to provide discipline and beauty to Harlem youth while shocking the world with a professional Black ballet company.takeaway“I didn't choose ballet, ballet chose me. And then once I understood it, that passion... you put up with the pain, you put up with the pointe and the bleeding... but there is something about that that is magic.”quote
Misty Copeland in conversation with Rachel Moore at Live Talk Los Angeles
The conversation covers the racial tensions faced by Black dancers in the mid-20th century, Copeland's personal struggles with injury and isolation, and her current efforts to increase diversity in ballet through the MissummaryRaven Wilkinson's legacy: As the first Black ballerina at Ballets Russes de Monte Carlo, Wilkinson endured severe racism during WWII-era tours but maintained integrity and humor, serving as a crucial role model for CopeltakeawayLate start advantage: Copeland began ballet at age 13 after only four years of training, which initially made her feel isolated as the only Black woman in ABT for 10 years, but she learned to value her unique path over ttakeaway
Tim Allen Loves The Ballet | The Way I Heard It with Mike Rowe
They discuss how understanding the 'why' behind creation—from ball bearings to ballet—fosters a deeper appreciation for the artisans who build our world, while also touching on personal struggles with grief and the powersummaryArt forms like ballet and hot rod restoration share a common thread of discipline and expression; Allen notes that removing the 'art' from vocational work leads to societal degradation, citing historical examples like Sttakeaway“I don't understand that process of a human being that gets that low and then Stalin would go kill you know I want all of them dead tomorrow... but don't touch the ballet dancers.”quote
Elisabeth Moss on Handmaid’s Tale, tears for Mad Men, new show Shining Girls, Emmy | SmartLess
The conversation covers her transition from ballet to acting, her career-defining roles in 'Mad Men' and 'The Handmaid's Tale', and her insights into directing and set dynamics.summaryElizabeth Moss transitioned from ballet to acting at age 15, realizing acting offered a longer career span than dance, which typically ends by age 35.takeaway“Acting felt like who I was. Ballet felt like something I was doing.”quote
Devonté Hynes (Blood Orange) & Thomas Bangalter (Daft Punk) | The A24 Podcast
Choreographic Precision vs. Organic Flow: The score for 'Invitation' was treated as a choreographed dance with the dialogue, requiring precise timing and rewriting with an engineer to punctuate mood without manipulating takeawayMusic First vs. Visual First Dynamics: 'Invitation' and 'Mirage' were scored to existing visuals (Visual First), allowing for precise integration. 'Mythologies' was composed before the ballet existed (Music First), resultakeaway