Results for “Hip Hop”

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Showing videos where “Hip Hop” is said as a phrase. Show any video with all the words

Fredro Star Returns! | BagFuel

BagFuel29 views
Fredro Star of Onyx discusses his transition from 90s hip-hop to independent film production with 'Cuz the Series,' leveraging direct-to-consumer distribution models via Tubi and physical media to bypass traditional indusummaryThe conversation highlights the enduring legacy of hip-hop culture, the generational shift in media consumption, and the strategic importance of maintaining creative control and audience data ownership.summaryHip-hop culture serves as a 'vibrant' force that keeps artists young and engaged, contrasting with other genres where artists may disengage as they age; this cultural connection is central to Fredro's 'Spirit of Hip-Hop'takeaway

#042 with Gel Roc

3 plates Tommy31 views
Los Angeles MC Gail Rock discusses his 30-year career in hip-hop, highlighting his new album 'Lost Control: Buttons, Fades, and Memoirs' and the upcoming 'Out of Style, Out of Service' release.summaryThe Project Blow collective celebrated its 31st anniversary, showcasing the longevity of LA's underground hip-hop scene with over 30 MCs performing together, including legends from Freestyle Fellowship and Mass Men.takeawayThe interview highlights the integration of graffiti culture into hip-hop history, with Rock referencing his past as a vandal and how that 'street' experience informs his lyrical content and perspective on gang culture.takeaway

AL SKRATCH UNTOLD STORY: Michael Jackson, 90s Hip Hop & Industry Politics | The Punchline Academy

Da Inphamus Amadeuz32 views
Al-Scratch discusses the evolution of hip-hop from authentic street ciphers to the commercial industry, highlighting the importance of cultural respect and artistic integrity.summaryAl-Scratch distinguishes between hip-hop culture (ciphers, expression, community) and the record industry (business, snaking), stating he could never quit the culture because 'I am hip-hop,' even when frustrated by industakeawayAl-Scratch's collaboration with Michael Jackson's representatives on 'They Don't Care About Us' occurred because Jackson was actively listening to street-level hip-hop and respected the culture, including breakdancing eltakeaway

How Monie Love Shaped ’90s Hip-Hop Culture 🎶 | SWAY’S UNIVERSE

SWAY'S UNIVERSE130 views
Mooney Love discusses the rigorous, talent-based standards of 1990s hip-hop culture, contrasting the authentic community-driven scene with the commercial music industry.summary1990s hip-hop culture was defined by a 'healthy fear' of peer policing, where artists had to prove their unique talent (bars, DJ skills, graffiti) to avoid being exposed as unoriginal.takeawayMooney Love distinguishes between loving hip-hop culture and detesting the music industry, maintaining her artistic relevance by collaborating with peers rather than chasing commercial trends.takeaway

Mark Ronson talks new music, touring with Nate Dogg and Amy Winehouse introduction to United States

HOT 9725 views
He reflects on the power of music as a memory trigger, his early touring experiences with underground hip-hop acts, and the strategic cultural positioning of Amy Winehouse's 'Back to Black' in the US market.summaryThe conversation also highlights his admiration for DJ culture and recent realizations about classic hip-hop tracks.summaryStrategic Sampling Influence: When producing Amy Winehouse's 'Back to Black', Ronson intentionally crafted soulful, funky beats designed to appeal to hip-hop producers like RZA, anticipating that sampling would help bridtakeaway

West Coast KAM on Eating 1 Meal a Day, New Album, Podcast, & Nation of Islam in Hip-Hop | Interview

BigBoyTV Plus51 views
He reflects on his career in hip-hop, emphasizing the importance of Black-Brown unity, the decline of commercial rap's lyrical content, and his current projects like 'Deep Brothers' with Battlecat.summaryHip-Hop Evolution: Commercial hip-hop has shifted from requiring unique lyrical content and flow to enforcing homogenized sounds for corporate appeal, whereas organic hip-hop still values originality.takeawayAging in Hip-Hop: Cam targets an older demographic with his new music, proving that hip-hop artists can age gracefully and maintain relevance without trying to sound like teenage artists.takeaway

Street Beef vs Rap Beef | Stuck Off the Realness Ep.4

HAVOC55 views
“Hip hop is not a sport for the faint-hearted... Hip hop is not a monolith... you have different subgenres... Native Tongue... Juice Crew... it wasn't easy to do back then.”quoteTod Craig analyze the evolution of hip-hop beef, contrasting the competitive but non-lethal rivalries of the 80s and 90s with today's dangerous blend of rap and street violence.summaryThe KRS-One vs. MC Shan rivalry was fueled by the undeniable quality of both tracks ('South Bronx' and 'The Bridge is Over'), proving that hip-hop beef often stems from competitive excellence rather than just personal antakeaway

The Legend DJ Red Alert On How Hip-Hop Became The Biggest Genre In The World | SWAY’S UNIVERSE

SWAY'S UNIVERSE37 views
DJ Red Alert discusses his pivotal role in bringing hip-hop from late-night radio slots to mainstream commercial dayparts, highlighting the cultural significance of the DJ as the foundation of hip-hop.summaryHip-hop's radio integration began in late-night slots (e.g., Red Alert at Kiss FM 11pm-2am) before corporations like Clear Channel learned to program rap into morning and afternoon drive times, mimicking the New York blutakeawayThe term 'culture vulture' emerged in the 1990s to describe individuals or corporations who profited from hip-hop without respecting its origins or supporting the creators.takeaway

Shaggy Addresses T-Pain's Comments on New Rappers All Sounding The Same + New Radio Show and Music

SWAY'S UNIVERSE20 views
“Hip hop culture becomes the main format... you can't argue that. In dancehall now the numbers just don't match up... we're still six percent of the market share.”quoteHe provides industry insights on the economic disparity between hip-hop and dancehall, noting that while dancehall influences global genres like reggaeton and trap, it struggles for market share and platform access compasummaryCultural Influence vs. Market Share: Shaggy highlights that dancehall is the foundational influence for major global genres including reggaeton (via the 'Dem Bow' beat), Afrobeat, hip-hop (via toasting), and trap (via dutakeaway

CHUCK D On Africa Being The FUTURE of Hip-Hop, LL COOL J's Icon Status & History of FIGHT THE POWER

SWAY'S UNIVERSE14 views
Chuck D reflects on Public Enemy's 50-year legacy, emphasizing the importance of collective action over individual stardom and the cultural power of hip-hop to unite people against divisive government narratives.summaryHe details the industry's shift from groups to solo artists for easier contract negotiations, the historical roots of hip-hop in New York's resilience, and the need for dignified presentation and mentorship in the modernsummaryLL Cool J was the first true soloist in hip-hop, proving that one person could fill an hour-long set without a crew, which influenced the industry's structure.takeaway

Jadakiss & Set Free Debut New Music, Podcast, Weighs In On Best Verses & Elements of Hip-Hop

SWAY'S UNIVERSE15 views
“Hip hop is has always been you know four cultures under one word... hip hop is like it never got the judge due as many pillars that that is under it”quoteJadakiss and Sway discuss the evolution of hip-hop culture, Jadakiss's career transition into business and podcasting, and the impact of a cultural trip to Ghana.summaryThe conversation highlights the importance of strategic career moves, the unifying power of hip-hop across its four pillars, and the psychological effects of media consumption.summary

Exclusive: Grandmaster Flash Demonstrates The Quick Mix Theory Live | SWAY’S UNIVERSE

SWAY'S UNIVERSE12 views
Grandmaster Flash reflects on hip-hop's 50th anniversary, emphasizing the critical but often overlooked role of DJs and producers in the culture's inception.summaryHe highlights the need to preserve hip-hop history by centering the technical contributions of the 'four elements' rather than just rappers, and shares insights on how music taste varies globally, requiring DJs to adapt summaryHip-hop's technical foundation relies on the 'four elements' (DJing, MCing, Breaking, Graffiti), yet modern celebrations and concerts often feature only the fourth element (MCs/Rappers), neglecting the DJs and producers takeaway

Torae and Marco Polo Talk About the Making of “Midnight Run” on Sway In The Morning & Freestyle

SWAY'S UNIVERSE20 views
discuss their collaborative album 'Midnight Run', reflecting on 14 years since their previous work and the evolution of hip-hop.summaryT.I. views hip-hop as the foundational 'soil' for all his other ventures (broadcasting, podcasting, acting), stating that without hip-hop, his other endeavors would not exist.takeawayStreaming numbers in rap have declined because casual fans are tired of repetitive content, though youth streaming keeps the ecosystem alive; T.I. predicts hip-hop will cycle in popularity like other genres.takeaway

Stetsasonic Breaks Down Hip-Hop History: Insights & Influences! 🎤 | SWAY’S UNIVERSE

SWAY'S UNIVERSE12 views
“If there is no space, you can create the space. That's how hip hop got here in the first place; we created a space where it wasn't a space.”quoteStetsasonic members Bobby and Delite discuss the group's pioneering role in hip-hop history, clarifying misconceptions about their status as a 'hip-hop band' and detailing the creation of the first jazz-rap track, 'All TsummaryStetsasonic was one of the first groups to be labeled a 'hip-hop band' (circa 1985), distinct from earlier acts like the Sugar Hill Gang who were session musicians paired with rappers.takeaway

The Untold Journey of BBoy Crumbs: 30 Years of Hip-Hop Mastery 💯 | SWAY’S UNIVERSE

SWAY'S UNIVERSE16 views
“The sad truth is we get the least amount of support... our jams were held in gymnasiums over there it was in big venues which turned into Arenas... government support that their government started paying the breakers toquote“Hip hop is healing man all around the world... we communicate through through breaking we communicate through writing through mcing through all of it you know like it it doesn't matter like I could be going to any countquoteLegendary B-boy Crumbs discusses the historic inclusion of breaking in the 2024 Paris Olympics, highlighting the stark contrast between global support and the neglect of hip-hop's dance elements by the US industry.summary