Marlon Craft discusses his new album 'The Internet Killed the Neighborhood,' emphasizing artistic authenticity over industry validation and the psychological impact of digital connectivity on community. He reflects on his journey from seeking external approval to finding internal peace, highlighting the importance of maintaining integrity and purpose in a nihilistic, profit-driven music industry.
“I'm not f***ing to sit here and like dance for nobody no more and apologize. That's where that unapologetic song comes from, man. I'm not apologizing no more for nothing.”
“The internet killed the neighborhood... community was kind of descended I guess from the idea of the village... those tenants and principles of community and neighborhood have been co-opted by tech and corporations and put online and catered to you in these algorithms that are reminiscent of neighborhood because it feels like your own little like sliver world.”
“I've been trying to find a pace not a schedule right... trying to allow life to happen to me in this time where it's like more and more and more you got to produce you got to make you got to do all this stuff so yeah man it's tough.”
“Culture is the Samsung event like you know come on bro like we talking about I'm talking about what we leave behind. You start thinking about legacy and you start thinking about art and like the community where I'm from in New York.”
“If I loved myself, I wouldn't treat myself this way... if we saw each other as extensions of ourselves, we wouldn't treat each other the way that we do in this world.”
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