Barry Sonnenfeld in conversation with Rob Reiner at Live Talks Los Angeles

LiveTalksLA
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About this episode Barry Sonnenfeld and Rob Reiner discuss the art of directing comedy, emphasizing the importance of playing sce… AI summary

Barry Sonnenfeld and Rob Reiner discuss the art of directing comedy, emphasizing the importance of playing scenes straight to let the absurdity speak for itself and using wide-angle lenses to create dynamic energy. They share anecdotes about managing difficult or unconventional actors like Tommy Lee Jones, Jean Hackman, and Donald Trump, highlighting the need for firm boundaries and psychological insight. The conversation also covers the challenges of test screenings, the loneliness of the director's role, and Sonnenfeld's personal journey into investigating the JFK assassination.

Key takeaways 7
  • Comedy Direction Principle: Never acknowledge the comedy on set; if the crew knows it's a comedy, costumes become too colorful or music gets slide whistles. The humor must come from the writing or situation, played straight by actors.
  • Cinematography Technique: Use wide-angle lenses (21mm or wider) to create comic energy and dynamic perspective shifts. Close-ups with wide lenses exaggerate movement and emotion, whereas long lenses flatten the image.
  • Managing High-Energy Actors: For actors who are too active or 'on drugs' (like James Caan in Misery), you must control their physicality strictly. If they move too much, it ruins the scene's pacing and can blow the budget.
  • Director's Psychological Tool (The Silent Schmuck): Crew members often silently judge directorial choices as idiotic. Directors must accept this 'silent schmuck' reaction as part of the job, knowing they see the whole picture while crew members only see their specific area.
  • Test Screening Strategy: Use test screenings to observe audience reactions (coughing, shuffling) rather than just relying on scorecards. However, be wary of studio executives who may misinterpret audience dislike of a villainous act (like a slap) as a flaw in the script rather than a character trait.
  • Actor Management Theory: If an actor is too slow (like Lee Pace), force them to talk faster so they don't have time to 'act.' Speed prevents over-thinking and creates natural comedic timing.
  • Sciatica as Stress Indicator: Sonnenfeld claims sciatica is caused by suppressed anger due to fear of consequences (getting fired/divorced). He cured his own severe sciatica by finally yelling at a producer on set.
Notable quotes 5 AI-generated: wording and quote attribution may be wrong. Use the play link to verify.
  • “You never want anyone to be funny in your comedy. You don't want anyone to know you're working on a comedy. If the wardrobe person knows it, the costumes would be too colorful. If the composer knows it, there'll be slide whistles.”
    ▶ 22:58 Sonnenfeld explains his philosophy on maintaining a serious tone on set to ensure the comedy arises naturally from the situation rather than forced performance.
  • “Life is like a tampon. You're always in the best possible place at the worst possible time.”
    ▶ 12:18 Tommy Lee Jones' response to Sonnenfeld's question about why life is like a tampon, which inspired the title of Sonnenfeld's book.
  • “If you make the actors talk fast enough, they don't have any time to act. I hate seeing acting.”
    ▶ 42:36 Sonnenfeld's technique for dealing with slow actors like Lee Pace on Pushing Daisies, forcing speed to eliminate over-acting.
  • “Being a director is a very lonely job because you're not part of the cast, you're not part of the crew. You're the person that sees the whole picture.”
    ▶ 27:54 Sonnenfeld describes the isolation of directing, where every department head may view his decisions as idiotic because they only see their specific area.
  • “The secret to being funny is to stand next to Will Smith and do whatever Barry Sonnenfeld tells you to do.”
    ▶ 24:53 Tommy Lee Jones' humorous explanation of his performance in Men in Black after Sonnenfeld instructed him not to acknowledge the absurdity of his lines.

Chapters & Sections (47)

0:00 Early Career Decisions and Script Choices chapter 4
0:00 Early Career Decisions and Script Choices
2:43 The Origins of a Movie Script Idea
4:30 Social Encounter at a New York Restaurant
6:07 Barry's Film Experiences and Personal Life
7:33 Challenges of Working with a High-Energy Actor chapter 3
7:33 Challenges of Working with High-Energy Actors
9:15 Respect and Treatment of a Character
10:41 Significance of Book Title Explained
12:46 Barry's Unconventional Set Behavior and Filmmaking Style chapter 3
12:46 Barry's Unconventional Set Behavior and Humor
14:47 The Art of Using Wide Angle Lenses
16:25 Working with Michael Jackson on Film Project
18:49 Celebrity Personalities and Unconventional Behavior chapter 3
18:49 Celebrity Personalities and Unconventional Behavior
21:43 Directing Comedies Without Giving Away the Punchline
23:30 Comedy Writing and Performance Techniques
24:53 Challenges of Filming Comedy Scenes chapter 2
24:53 Challenges of Filming Comedy Scenes
27:37 Challenges of Being a Film Director
30:19 Creating a Game of Misidentification chapter 3
30:19 Creating a Game to Identify Lookalikes
32:12 The Importance of Test Screenings in Comedy
33:51 Studio Interference in Film Editing Decisions
35:46 Challenges of Filming Low-Budget Satirical Movies chapter 2
35:46 Film Satire and Audience Reception Challenges
38:20 Protecting Insects and Slippery Slope Arguments
40:25 Mob Threats and Hollywood Production Challenges chapter 3
40:25 Mob Threats and Film Production Challenges
42:36 Directing Actors to Speak Quickly
44:05 Directing Actors to Speak Quickly and Authentically
46:11 Creative Freedom in Television Production chapter 3
46:11 Creative Freedom in Film Production
48:03 Directing Style and Collaboration on TV Series
49:30 Collaboration with Actors on Film Sets
51:19 Relevance of Classic TV Shows in Modern Society chapter 2
51:19 Relevance of Classic TV Shows in Modern Society
53:53 Challenges of Working with an Indecisive Director
56:03 Camera Angles and Composition Techniques chapter 2
56:03 Camera Angles and Composition Techniques
58:23 Child Star Experiences and Industry Insights
1:01:39 Investigating the Kennedy Assassination Theories chapter 2
1:01:39 Investigating the Assassination of John F. Kennedy
1:04:15 The Warren Commission and JFK Assassination
1:06:09 Favorite Movies and Personal Anecdotes Shared chapter 2
1:06:09 Favorite Movies and Personal Anecdotes Shared
1:08:29 Managing Unconscious Anger and Sciatica Pain

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