Lili Reinhart on Hal & Harper, Mental Health, The Love Hypothesis, Riverdale, Favorite Movies & more

On Film…With Kevin McCarthy Podcast
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About this episode Lily Reinhart discusses the intense emotional and physical demands of acting, particularly her role in the non… AI summary

Lily Reinhart discusses the intense emotional and physical demands of acting, particularly her role in the nonlinear series 'Helen Harper,' revealing how she navigates dissociation, intimacy coordination, and the psychological aftermath of heavy scenes. She also opens up about her personal struggles with OCD and anxiety, explaining how horror movies and heavy metal music serve as coping mechanisms for her brain, while detailing the business challenges of selling an indie project in a risk-averse industry.

Key takeaways 5
  • Acting Emotional Aftermath: Physical intimacy scenes create a unique 'come down' where the body feels used or disconnected from the partner, requiring conscious reassurance that the experience was professional and safe, distinct from the relief felt after crying scenes.
  • Nonlinear Acting Strategy: For 'Helen Harper,' Reinhart treated her 9-year-old and present-day selves as two different people; the younger version was in a 'survival mode' dissociative state with no room for emotion, while the older version was emotionally available but codependent.
  • Industry Business Reality: Independent films are increasingly difficult to sell because streamers prioritize 'binge-able' content and established IP over deep, emotional storytelling due to fear of financial risk post-strike.
  • Coping Mechanisms for Mental Health: Reinhart uses horror movies and heavy metal music (like Slipknot) not for enjoyment, but as a form of stimulation that forces her brain to focus entirely on the external input, providing a necessary escape from internal anxiety and rumination.
  • Authenticity in Performance: Reinhart relies on her own lived pain and real-life emotional triggers to cry authentically on camera, avoiding artificial methods because she finds them less real and more performative.
Notable quotes 4 AI-generated: wording and quote attribution may be wrong. Use the play link to verify.
  • “I find that weirdly enough for like an intimate sexual scene. It takes a little bit longer for my body to kind of calibrate... I kind of equated a sex scene to a one night stand because it really feels like you know you're putting your bodies together for however long and then you go home away from them you there's no like emotional connection.”
    ▶ 12:55 Reinhart explains the psychological disconnect and physical calibration required after filming intimate scenes with co-stars who are not her partners.
  • “I think the idea with Harper is if she cracks at all she will she will break and not come back together... if you have if you lose your mother and you're forced to take care of your family because your father suddenly can't take care of you, you kind of just go into survival mode at that point.”
    ▶ 10:50 Describing the psychological state of her character's younger self in 'Helen Harper,' who suppresses all emotion to survive.
  • “It's more stimulating for me than anything. Like it's captures my attention so well that I don't have to think about anything else. And that was very much the case for me when I was at sort of the depths of my depression... I was just kind of falling into the traps of that genre [horror], but I love the genre.”
    ▶ 34:47 Explaining why she gravitates toward horror movies and heavy metal music as a way to quiet her anxious mind by forcing total focus on external stimuli.
  • “I don't think it's always been this way. I mean feels like it's crazy hard. It feels like right now in particular it's the hardest. Why do you think that is? Because right now it's a world of content and not necessarily film and television. It feels like content and something to just fill a slot.”
    ▶ 1:17:07 Reinhart's critique of the current entertainment industry's preference for disposable content over meaningful storytelling.

Chapters & Sections (70)

0:00 Childhood Movie Experiences and Influences chapter 5
0:00 Childhood Memories of Watching Movies
1:48 Appreciation for Period Dramas and Costume Design
3:12 Origin of Collaboration and Project Selection
4:26 Character Development and Actor Self-Discovery
6:00 Crafting Character Development and Backstory
8:09 Acting on a Complex Script Structure chapter 2
8:09 Processing Complex Script Structure and Character Development
10:04 Childhood Trauma and Emotional Suppression
12:36 Physical Intimacy in Acting: Emotional Aftermath chapter 2
12:36 Physical Intimacy in Acting and Emotional Aftermath
14:58 Navigating Vulnerability in Intimate Scenes
16:43 Acting Emotional Scenes and Comedown Experiences chapter 2
16:43 Acting Emotional Scenes and Post-Shoot Recovery
18:43 Acting Techniques for Emotional Scenes
20:49 Acting Emotionally: Authenticity and Vulnerability chapter 3
20:49 Acting Authenticity and Emotional Expression
22:20 Benefits of Crying as a Release Mechanism
23:56 Coming of Age and Rapid Maturation
25:40 Struggling with Time Perception and Presence chapter 3
25:40 Struggling with Time Perception and Presence
27:29 The Futility of Constantly Counting Down to Happiness
28:58 Living with Mental Health Conditions
30:20 Struggling with Mental Health and Finding Joy chapter 3
30:20 Struggling with Mental Health and Finding Joy
32:04 Finding Comfort in Creative Escapes and Companionship
33:28 The Psychology of Horror Movie Consumption
35:29 The Art of Special Effects Makeup chapter 3
35:29 The Art of Special Effects Makeup
37:12 Creative Expression through Special Effects Makeup
38:44 The Therapeutic Power of Aggressive Music
40:34 Desire for Autonomy and Control in Life chapter 2
40:34 Desire for Personal Autonomy and Control
43:02 Living with Acne and its Emotional Impact
45:12 The Vulnerability of Public Self-Presentation chapter 2
45:12 Vulnerability in Public Life and Social Media
47:22 Struggling with Mental Health and Anxiety
49:36 Physicality in Portraying Traumatic Childhood Experiences chapter 2
49:36 Physicality in Portraying Traumatic Childhood Experiences
51:49 Physicality and Space in Acting Performances
53:59 The Significance of Cereal in Storytelling chapter 3
53:59 The Significance of Cereal in Storytelling
55:28 Separation from Characters after Long-Term Roles
56:43 Portraying Complexity in Female Characters
58:53 Actors' Emotional Connection to Characters and Roles chapter 3
58:53 Blurring Lines Between Character and Real Life
1:00:34 Relationship Between Music and Film Performances
1:01:49 Using Music in Emotional Storytelling
1:03:24 Film Scores and Music in Storytelling chapter 2
1:03:24 Film Scores and Music in Storytelling
1:06:07 Character Development and Actor's Preparation Techniques
1:07:38 Importance of Personal Makeup Application in Acting chapter 3
1:07:38 Importance of Personal Space in Makeup Application
1:09:36 Tattoos in Film and Makeup Considerations
1:10:57 Makeup Techniques for Covering Tattoos
1:12:26 The Process of Wearing Prosthetics and Makeup chapter 2
1:12:26 Tattoo Application and Makeup Process Challenges
1:14:15 Artist Interpretations and Public Reception
1:16:28 Challenges in the Current Entertainment Industry chapter 3
1:16:28 Challenges in Getting Content Made in Modern Industry
1:17:43 Challenges of Independent Film Distribution
1:19:38 Challenges of Film Development and Production
1:20:54 Film Industry Risk Aversion and Commercial Success chapter 2
1:20:54 Film Industry Risk Aversion and Commercial Success
1:22:36 Balancing Artistic Ambitions and Business Decisions
1:25:12 Premieres and Public Screenings: Nerve-Wracking Experiences chapter 4
1:25:12 Premieres and Public Screenings Anxiety
1:26:54 The Importance of Watching Movies with an Audience
1:28:18 Founding a Personal Skincare Brand
1:29:41 Overcoming Acne and Building Self-Esteem

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