This interview with Lionus Clumpner, CEO of the Mozart Foundation, provides a detailed historical account of Wolfgang Amadeus Mozart's life, focusing on his birthplace in Salzburg and his professional evolution. Key revelations include the debunking of the poisoning myth, the financial realities of his freelance career, and the specific acoustic properties of his original instruments which were designed for intimate salon settings rather than large opera houses.
“Mozart was appointed as a member of the Academia in Bologna and Verona... he was 14 back then which is quite sensational... at the end of this travel he signed the contract with the opera in Milan for Lucilla.”
“Most people think that Mozart was poor which is not true. He was actually quite wealthy. The thing is whenever he was working at his great operas he had no time to give lessons... so during this periods he had no additional incomes.”
“This was really made for small salon concerts... imagine that instrument at an opera house fitting 2,000 people... Nobody would hear it.”
“He was not very he was focused in music of course but you would say he would have an bit of ADHDs and so yeah... when he had to go to bed, it it just couldn't send him to bed. He had like to uh play a little march and walk him with him to to bed.”
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