Bella Kay + Alexis Idarose Kesselman | “iloveitiloveitiloveit”+ How Great Collaborators Disagree

Unfamous with Justin Tranter
Loading transcript... Click for full transcript
About this episode This conversation between songwriter Alexis E. Fleisig and artist Bella K. Williams explores the dynamics of t… AI summary

This conversation between songwriter Alexis E. Fleisig and artist Bella K. Williams explores the dynamics of their successful collaboration, highlighting the balance between structural songwriting knowledge and raw artistic instinct. They discuss navigating public perception, the importance of trusting gut feelings over industry norms, and the specific production techniques that turned minimal tracks into massive hits like 'I Love It, I Love It, I Love It'.

Key takeaways 5
  • Collaborative synergy often emerges from a mix of confidence and vulnerability; Fleisig notes Williams had a 'unique mix of confidence and hurt' that made her writing feel deeply human and relatable.
  • Minimalist production can be more impactful than over-production; for 'I Love It, I Love It, I Love It', they intentionally kept the instrumentation sparse (guitar and vocal) to let the harmonies and lyrical content drive the song's mass appeal.
  • Learning song structure is essential to knowing when to break it; Williams describes unlearning rigid structures (verse-pre-chorus-bridge) to allow for more intuitive, emotionally driven songwriting while still respecting the craft.
  • Public criticism should be reframed as a metric of reach; Williams adopted the perspective that 'the more people that hate you, the more people love you,' viewing negative feedback as proof that her message is reaching a wider audience.
  • Trust in a primary collaborator allows for creative risk-taking; Fleisig emphasizes that with Williams, there was no need to 'fight for' ideas because they shared a mutual goal of serving the song, allowing them to pivot quickly between tracks and ideas without losing momentum.
Notable quotes 5 AI-generated: wording and quote attribution may be wrong. Use the play link to verify.
  • “I like being used. It means I have a purpose. If I feel it, somebody else feels it and that's all that matters.”
    ▶ 0:00 Bella Williams explaining the core philosophy behind her hit song 'I Love It, I Love It, I Love It' and why she embraces controversial or raw lyrical themes.
  • “You got to know the rules so you can break them.”
    ▶ 0:36 Bella Williams discussing her journey from rigidly following song structures to finding her unique voice by understanding the fundamentals first.
  • “How do you harness that [the magic of writing alone at 16] at 2 p.m. on a Wednesday in a professional studio?”
    ▶ 1:03:05 Alexis Fleisig articulating the challenge of translating private, uninhibited creativity into professional collaborative sessions.
  • “The more people that hate you, the more people love you.”
    ▶ 19:15 A friend's advice to Bella Williams on how to handle public perception and criticism as her music gained massive traction.
  • “I don't want to take a left turn and like overproduce this song and her fans be like, 'What is this?'”
    ▶ 13:44 Alexis Fleisig explaining the delicate balance of production choices when working with an artist who has an established fanbase and specific sonic identity.

Chapters & Sections (32)

0:00 Collaborator Introductions and Early Sessions chapter 1
2:59 Alexis Kesselman Career Highlights
4:51 Collaborative Songwriting Dynamics and Growth chapter 3
6:32 Identifying Creative Synergy in Collaboration
8:00 Navigating Creative Disagreements in Sessions
12:06 Minimalist Production and Intentional Arrangement
15:23 Handling Public Perception and Criticism chapter 3
16:42 Songwriting Process and Public Perception
18:10 Coping with Public Criticism and Haters
20:36 Evolving Song Preferences and Creative Growth
22:51 Song Perception and Creative Collaboration chapter 1
24:24 Overcoming Gender Bias in Production
27:25 Balancing Structure and Instinct in Songwriting chapter 2
30:10 Melody Passes and Song Creation
32:04 Creative Friction and Disagreement
33:30 Collaborative Disagreements and Songwriting Process chapter 3
35:11 Artist Perspective on Song Selection and Evolution
36:38 Pop Influences and Songwriting Themes
38:20 Songwriting about crush feelings
39:46 Songwriting about personal relationships and jealousy chapter 1
42:18 Songwriting personal boundaries and production challenges
44:10 Collaborative Songwriting and Business Mindset chapter 1
46:19 Collaborative Songwriting and Business Mindset
49:10 Origin Story and Musical Influences chapter 2
51:30 Social Media Growth and Musical Inspiration
53:03 Collaborating with Sarah Brilles and Musical Influences
55:02 Collaboration dynamics and songwriting disagreements chapter 2
56:23 Accepting Better Collaborator Lyrics
57:38 Texting habits and fan reactions
58:57 Gag or Drag Music Collaboration Scenarios chapter 2
1:00:16 Producer Drum Sounds and Demo Vocals
1:01:43 Advice on Collaboration and Being Wrong

Transcript

Loading transcript...