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Chapters & Sections (50)
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0:24
Sponsorship and Show Introduction
0:30
Career Highlights and Upcoming Projects
1:02
Personal Life and London Residence
1:35
Miss Saigon and Glengarry, Glenn Ross Experience
3:40
Strasburg's teachings and Pacino's involvement
4:11
Al Pacino's passion for theater
5:14
Favorite theaters to play in and experiences with Al Pacino
7:53
First Job and Meeting Richard Heir
8:23
Career Development and Unexpected Opportunities
9:27
Hamlet and Personal Connection
12:06
Inspiration from Personal Experience and Elizabethan Audience
13:09
Conjuring the Ghost in Hamlet
14:14
Developing the Possession Voice and Rehearsals
15:18
Performance and Audience Reaction
16:24
Finding New Interpretations of Classic Works
17:59
Audience Reaction to Unconventional Productions
18:29
Conducting the Audience and Balancing Tone
19:32
Personal Experiences in Theater and Musical Performances
20:35
Auditioning for Phantom of the Opera
21:06
Disappointment with Phantom and subsequent casting in Miss Saigon
22:08
Experience working on Miss Saigon and Oliver
28:23
Roped into a Fedo and Meeting Andrew Lloyd Weber
28:53
Rejection from Joseph Technical Dream Code and Sunset Boulevard
29:26
London Workshop Rejection and New York Audition
30:28
Impression of the Latest Production and Sarah Snook's Performance
32:03
Meeting Tony Hopkins and the Pope
33:05
Working with a Renowned Cast
33:38
Personal Experiences and Backstory
34:12
Conversations with Allan Arkin
35:16
Meeting Other Actors and Directors
35:47
Playing Jack Lemmon's Character on Stage
36:18
Golden Balls and Audience Interaction
36:49
Inappropriate Behavior in the Queen's Box
37:53
Eye-Opening Experience and Supporting Roles
38:58
Strange Behavior on Stage
39:59
Dan Day Lewis' Quitting Acting and Inspiration from Rafe Fines
40:32
Initial Rejection of Game of Thrones Pilot and Later Acceptance
41:06
Portraying the High Sparrow Character in Game of Thrones