Paul Feig (filmmaker) | Armchair Expert with Dax Shepard

Armchair Expert with Dax Shepard
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Chapters & Sections (167)

00:00 Podcast Introduction and Guest Arrival chapter 3
00:00 Host Welcome and Guest Introduction
00:30 Guest Arrival and Technical Setup
01:01 Paul Feig’s Filmography Overview
01:31 Paul Feig Background and Career Highlights chapter 2
01:31 Discussion of Paul Feig’s Suit Style
02:01 Paul Feig’s Television Projects
03:11 Smoking Anecdotes and Health Reflections chapter 3
03:11 Smoking Experience and Health Concerns
03:41 Personal Reflections on Smoking Habits
04:11 Cat Survival Experiment Anecdote
04:43 Dinner Party Insights and Personal Stories chapter 6
04:43 Dinner Party Overview and Guest List
05:11 Personal Experience at the Dinner Party
05:41 Discussion of Stanley Tucci’s Book
06:11 Relocation from California to London
06:41 Style and Suit Culture in London vs. Los Angeles
07:11 Musical Influences and Talking Heads Appreciation
07:51 Childhood Adventures in Remote North chapter 1
07:51 Remote North Camping Memories
08:23 Passion for Explosives, Motorcycles, and Nightmares chapter 2
08:23 Explosives and Motorcycles as Creative Outlet
08:55 Nightmare Bathroom Scenes and Public Restroom Fears
09:26 Dreams of Bathrooms, Gas, and Uncomfortable Nights chapter 1
09:26 Gas, Dreams, and Unsettling Sleep Experiences
10:29 Academic Journey from Wayne State to USC Film School chapter 3
10:29 Choosing Film at Wayne State and Early Acting Interests
11:00 First USC Writing Class and Creative Inspiration
12:02 Critique, Revision, and Turning Feedback into Success
12:34 Early Film Projects, Critique, and Career Growth chapter 1
12:35 Universal Studios Tour Experience and Early Special Effects
14:36 Early Acting and Odd Jobs chapter 2
14:36 Phantom of the Opera Makeup and Shift Schedules
15:08 Craig T. Nelson’s Peanut Incident Story
15:38 Ronald McDonald Experience in Toledo chapter 2
15:38 Helicopter Crash and Ronald McDonald Heroism
16:09 Auditioning for Toledo Franchise
16:40 Challenges and Humor on the Road chapter 3
16:40 Clown Shoes and Juggling Attempts
17:10 On‑the‑Road Chaos with Kids and Bodyguards
17:42 Candy Sack Incident and Audience Aggression
18:45 Early TV Roles and Behind‑the‑Scenes Aspirations chapter 3
18:45 Early TV Appearances and Writing Aspirations
19:15 Comedy Troop Nights and Early Networking
20:17 Video Tape Humor and Friendship with Jud
21:18 Freaks and Geeks: Creation, Cancellation, and Emmy Dissonance chapter 4
21:18 Friendship with Jud and Early Show Development
21:49 Cognitive Dissonance of Emmy Nominations Post-Cancellation
22:20 Personal Loss and Professional Resilience During Cancellation
22:53 Emmy Submission Strategy After Unseen Episodes
23:53 Transition to Film: From Television to Feature Movies chapter 5
23:53 Audience Reception and Market Misalignment of Freaks and Geeks
24:15 Shift to Film with 'I Am David' and Creative Challenges
24:38 Personal Connection to Story Themes in 'I Am David'
24:58 Production Hurdles and Audience Testing for 'I Am David'
25:29 Financial Realities of Film Distribution and Viewer Incentives
25:59 Navigating TV Directing Roles and Creative Control chapter 3
25:59 Balancing TV Directing with Personal Filmmaking Aspirations
26:29 Creative Autonomy in Television vs. Film Production
27:00 Leveraging Show Reputation for Directorial Latitude
27:52 Recent Television Projects and Behind-the-Scenes Experiences chapter 1
27:52 Directing Episodes of Nurse Jackie and Managing Production Dynamics
28:02 Embracing Flexibility in Filmmaking chapter 2
28:02 Letting Go of Over-Planning
28:35 Table Read and Script Shepherding for Bridesmaids
29:06 Behind the Scenes of Bridesmaids and Early Projects chapter 2
29:06 Negotiating Time Constraints with Jud
29:37 Directing a Trump Commercial and Managing Actor Dynamics
30:08 Directing a Donald Trump Commercial chapter 2
30:08 On-Set Challenges with Donald Trump
30:39 Resetting the Set After a Misstep
31:10 The Creative Process of Bridesmaids Auditions chapter 2
31:10 Casting Melissa McCarthy and Improvisation in Auditions
32:11 Developing the Call Center Scene Through Improv
33:13 Developing Female-Centric Comedy Themes chapter 2
33:13 Exploring Female-Driven Comedy Dynamics
34:17 Personal Influences on Working with Women in Film
34:48 Exploring Female Representation in Comedy chapter 2
34:48 Audience Impact of Women-Centric Scenes
35:20 Conscious vs. Unconscious Genre Subversion
35:52 Developing the Female Buddy Cop Concept chapter 2
35:52 Collaboration with Katie Dippold on Female Buddy Cop
36:23 Personal Motivation for Female-Driven Projects
36:53 Navigating Industry Skepticism and Genre Challenges chapter 2
36:53 Industry Hurdles and Audience Underrepresentation
37:24 Criticism of Ghostbusters Reboot Strategy
38:56 Rebooting Ghostbusters with an All-Female Cast chapter 3
38:56 Decision to Pursue Female Ghostbusters
39:28 Social Media Backlash and Fan Engagement
39:58 Personal Reflections on Rebooting Classic Films
40:29 Public Reaction and Media Amplification chapter 2
40:29 Balancing Creative Vision with Public Expectations
41:00 Media Amplification of Criticism and Support
41:30 Celebrating the Film and Audience Reactions chapter 2
41:30 Pride in the Film’s Success
41:59 Audience Engagement and Fan Reactions
43:03 Reflections on Creative Growth and Visual Storytelling chapter 3
43:03 Creative Process and Visual Evolution
43:33 Collaboration with Directors and Cinematographers
44:05 Approach to Performance and Camera Work
44:36 Upcoming Projects and Production Challenges chapter 2
44:36 Planning the Next Major Film
45:05 Production Design and Visual Aesthetics
46:07 Personal Journey with Alcohol and Cocktail Crafting chapter 2
46:07 Transition to Alcoholic Lifestyle
46:40 Exploration of Gin and Martini Preferences
48:12 Gin Production and Flavor Exploration chapter 2
48:12 Still Percolation and Botanical Variety
48:40 Comparison to Car Dashboard Metaphor
49:13 Personal Gin Naming Story and Early Influences chapter 2
49:13 Naming the Gin and Personal Anecdotes
49:41 Botanical Ingredients and Secret Recipes
50:13 Gin Tasting, Awards, and Industry Recognition chapter 2
50:13 Award Wins and Industry Associations
50:46 Gin Wars Dinner Party Story
51:18 Social Media Cocktail Challenges During Pandemic chapter 2
51:18 Instagram Cocktail Challenge Origin
51:48 Daily Charity Cocktail Show and Viewership Comparison
52:19 Comparing Hosts and Their Signature Drinks chapter 1
52:19 Host vs Host Drink Showdown
52:51 Discussion of Television Content and Viewer Reactions chapter 2
52:51 Discussion of Television Content and Viewer Reactions
53:22 Availability of the Gin and Purchasing Options
54:24 Closing Remarks, Availability, and Final Toasts chapter 1
54:24 Final Toasts, Closing Remarks, and Food Anecdotes
55:27 Regional Food Traditions and Dip Culture chapter 2
55:27 South vs. Midwest Dip Preferences
56:01 Pimento Dip and Salami Burritos Story
56:31 Personal Anecdotes About Alerts and Safety chapter 3
56:31 Personal Experience with Missing Person Alerts
57:01 Discussion of Public Service Alerts and Personal Settings
58:04 Gratitude Perspective on Missing Person Alerts
58:37 Discussion of Ronald McDonald and Clown Culture chapter 3
58:37 Ronald McDonald’s Career and Retirement
59:09 Clown Safety Concerns and Public Perception
1:00:13 Potential Revival of Ronald McDonald Character
1:01:16 Exploration of Dangerous Foods and Mythical Delicacies chapter 2
1:01:16 Blowfish (Fugu) Preparation and Risks
1:02:53 Discussion of Extreme Food Dangers and Mythical Burgers
1:03:55 Feet Fetish Anecdotes chapter 2
1:03:55 Foot Fetish Discussion
1:04:27 Feet as Compliment and Expert Approval
1:04:58 Cat Survival and Physics of Falling chapter 3
1:04:58 Cat Survival from High Falls
1:06:00 Cats Landing Techniques and Injury Patterns
1:06:30 Physics of Cat Falls and Terminal Velocity
1:07:32 Terminal Velocity and Human Comparisons chapter 1
1:07:32 Human vs. Animal Terminal Velocity
1:08:35 Fireworks Memories and Grand Finale chapter 2
1:08:35 Fireworks Grand Finale Experience
1:09:36 Enchanted Firework Night at Grand Haven
1:10:30 Film Talk and Weather Anecdotes chapter 2
1:10:30 Film Discussion: Train Spotting and Slumdog Millionaire
1:11:11 Weather Record in Los Angeles County
1:11:42 Insurance and Residuals Concerns chapter 2
1:11:42 Acting vs. Insurance Coverage
1:12:14 Residuals and Policy Management
1:13:16 Union Insurance and Directing Requirements chapter 3
1:13:16 DGA Insurance Benefits Overview
1:13:48 Directing Days Requirement for DGA Coverage
1:14:18 Union Credit Negotiation Experience
1:15:21 Director Credit Negotiations and Union Interactions chapter 3
1:15:21 Director Credit Battle with Co-Directors
1:16:24 Song Discussion and Cultural References
1:18:59 Art Garfunkle and Mike Nichols Connection
1:19:32 Musical Digression and Pop Culture References chapter 1
1:19:32 Personal Anecdote about College Experience

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