Jessy & Ulysses Terrero On ‘Soul Plane,’ ‘Belly,’ The Nicky Jam Show, ‘Juice’ & More | Drink Champ

REVOLT
02:22:29 Report Issue
Loading transcript... Click for full transcript

Chapters & Sections (260)

07:46 Early Film Experiences and Family Influence chapter 1
08:18 Family Work Schedules and Home Life
08:49 Transition to Professional Casting chapter 2
08:49 Home Video Projects with Family
09:49 Influence of Video Music Box on Creative Ideas
10:21 First Breakthrough with Juice and Casting Dynamics chapter 4
10:21 Open Casting Call for Juice and Initial Rejection
10:52 Interaction with Casting Director Winston Sinclair
11:23 Casting Process and Latino Representation in Juice
12:24 Early Casting Experience and Misunderstandings on Set
13:27 Reflections on the Industry and Behind-the-Scenes Roles chapter 1
13:27 Insights into Casting Careers and Industry Roles
14:32 Early Casting Challenges and Latino Representation chapter 2
14:32 Discussion of Casting Biases and Actor Stereotypes
15:03 Conversation About Latino Representation in Hollywood
15:33 Personal Background and Industry Entry chapter 3
15:33 Personal Experience with Casting Directors and Rappers
16:05 Involvement in Latino Film Development and Readings
16:37 Challenges of Casting in Canada and Missed Opportunities
17:09 Union Dynamics and Urban Film Production chapter 6
17:09 Internship Experience and Learning the Industry
17:41 Union vs Non-Union Casting Practices
18:09 Roles of Principal and Extra Casting in Film Production
18:42 Financial Implications of Union Status for Actors
19:14 Historical Context of Urban Films and Casting Challenges
20:16 Evolution of Casting Directors in the Hip-Hop Film Era
21:20 Raw Creative Process with Diane chapter 2
21:20 Demand for Authenticity in Music Videos
21:54 Discovery of Writers and Concept Development
22:25 Transition to Writing Concepts and Industry Insight chapter 3
22:25 First Writing Opportunity with Diane
22:55 Ongoing Collaboration and Feedback Loop
23:25 High-Profile Projects with Major Artists
23:56 Collaborations with Chris Robinson and Expanding Opportunities chapter 3
23:56 Working with Chris Robinson and Industry Growth
24:26 Critique of Latino Representation in Television
24:58 Challenges Facing Latino Artists in Hollywood
25:02 Latino Representation in Hollywood chapter 2
26:01 Industry Response and Call for Unity
26:32 Future Projects and Latino Representation Initiatives
28:07 Revisiting the Series Impact chapter 2
28:07 Series Rewatching and Emotional Connection
28:37 Seeking Opportunities in the Music Video Industry
29:08 Early Career and Hip-Hop Influences chapter 2
29:08 Pivot from Hip-Hop to Reality Content
29:39 Early Collaborations with Daddy Yankee and Snoop Dogg
31:13 Collaborations with Major Artists and Projects chapter 3
31:13 Directing Low-Budget Music Videos
31:43 Working with Dr. Dre and Phil Atwell on Projects
32:46 Attempting to Pitch a Film Based on 50 Cent’s Story
33:17 Challenges in Film Direction and Representation chapter 2
33:17 Struggles with Representation in Hollywood Directing Roles
34:50 Pitching a Series to Netflix with Nikki Jam Collaboration
35:21 Defining the Role of a Showrunner chapter 2
35:21 Showrunner Definition and Responsibilities
35:52 Writer's Room Structure and Vision Control
36:22 Negotiating Creative Control and Talent chapter 3
36:22 Balancing Season Planning with Budget Constraints
36:53 Choosing Writers and Showrunner Collaboration
37:24 Cultural Representation in Production Design
37:55 Production Logistics Across Borders chapter 2
37:55 Filming Locations and Budget Optimization
38:26 Early Netflix Expansion into Latin America
38:57 Strategic Distribution and Rights Deals chapter 5
38:57 Territorial Rights and Telmundo Partnership
39:27 Negotiating US vs Global Distribution
39:58 Multi-Platform Licensing Strategy
40:29 Telmundo’s Role in Latino Market Penetration
41:00 Challenges of Linear Broadcast Constraints
42:00 Negotiating the Netflix‑El Mundo Deal chapter 2
42:00 Initial Deal Discussions with Netflix and El Mundo
42:31 Travel to Mexico and Early Production Hurdles
43:01 Casting Challenges and Puerto Rican Representation chapter 4
43:01 Casting Puerto Rican Actors in a Mexican Setting
43:33 Finding Authentic Puerto Rican Talent
44:04 Producer Disputes Over Casting Choices
44:36 Escalating Conflict and Decision to Leave Mexico
45:38 Conflict with Producers and Leaving Mexico chapter 1
45:38 Legal Challenges and Rights Negotiations
46:08 Release Strategy, Reception, and Final Resolution chapter 4
46:08 Rebuilding the Cast with Puerto Rican Actors
46:39 Release Timing Conflicts Between Telmundo and Netflix
47:12 Mixed Reception from Telmundo vs. Netflix
47:42 Language and Subtitling Issues in the Final Release
48:12 Negotiating Distribution Rights chapter 2
48:12 Initial Release Negotiations
48:43 Global Availability and Puerto Rico Exclusion
49:14 Piracy and Global Release Strategy chapter 2
49:14 YouTube Piracy Impact
49:45 Late Night Release Tactics
50:17 Corporate Perception vs. Audience Reception chapter 3
50:17 Hollywood vs. Netflix Success Metrics
50:48 Corporate Narrative Conflict
51:18 Audience vs. Industry Perception
51:49 Location Choices and Production Challenges chapter 4
51:49 Choosing Mexico over Puerto Rico
52:01 Safety and Reputation Concerns in Mexico
53:54 Logistics of Shooting in Various U.S. Cities
54:26 Local Authority and Permit Challenges
54:56 Challenges of Shooting in Urban Environments chapter 5
54:56 Comparing LA and New York Shooting Experiences
55:27 Aggressiveness of Different Cities
55:58 Police Presence and Set Closure in LA
56:29 Comparing New York and LA Safety Perceptions
56:59 Shootout Incidents in New York Only
57:01 Conflict and Police Interference on Set chapter 1
58:00 Permit Denial and Alternative Locations
58:33 Permit Issues and Location Scouting chapter 2
59:03 Crowd Control Challenges During Shoot
59:33 On-Set Shootout and Security Issues
59:55 On-Set Chaos and Shootouts chapter 2
1:00:35 Late Arrival of Artists and Set Disruption
1:01:37 Promoting Culture and Providing Opportunities
1:02:07 Acknowledging AI in Creative Work chapter 2
1:02:07 Expressing Gratitude to Creators
1:02:37 Debating AI’s Role in Film Production
1:03:09 Impact of AI on Talent and Consumption chapter 2
1:03:09 Adapting to AI as a Tool, Not Replacement
1:03:39 Economic Implications for Creators and Teams
1:04:10 Business Models and AI Tool Adoption chapter 2
1:04:10 AI Tools in the Marketplace and User Experience
1:04:40 Integrating AI into Production Workflows
1:05:11 Copyright, IP, and Industry Legal Challenges chapter 8
1:05:11 Music Licensing and AI‑Generated Content
1:05:41 Future Legal Risks for AI‑Driven Music
1:06:11 Distinguishing Visual Effects from AI
1:06:42 AI’s Role in Post‑Production and Consistency
1:07:12 Ownership and IP Challenges with AI Artifacts
1:07:44 Studio Litigation Over AI Style Replication
1:08:15 Actors Collaborating with AI for Character Creation
1:09:18 AI as a Casting Director and Actor Reels
1:09:49 Acting Class Chaos and Zoom Transition chapter 3
1:09:49 Unexpected Cast Arrival
1:10:20 Brother's Acting Class Setup
1:11:24 Zoom Shift for Classes
1:12:27 Rehab, Casting Struggles, and Latino Representation chapter 3
1:12:27 Acting Rehab Philosophy
1:13:29 Casting Challenges in the Industry
1:15:00 Advocacy for Latino Actors
1:15:30 Prison Song Production and Early Career chapter 2
1:15:30 Securing 'Prison Song' Role
1:16:01 Industry Perceptions of Talent
1:17:03 On-Set Dynamics and Director Interactions chapter 2
1:17:03 Director's Feedback Loop
1:17:03 Actor's On-Set Experience
1:17:36 Casting and On-Set Anecdotes chapter 2
1:17:36 Initial Casting Decision and Trailer Visit
1:18:07 Personal Car Story and Early Set Experience
1:18:38 Encounter with Mary J. Blige and Industry Reactions chapter 2
1:18:38 Private Screening with Mary J. Blige and Q-Tip
1:19:08 Mary J. Blige Interaction and Surprise Moment
1:19:42 Discussion of Latino Representation in Soul Plane chapter 2
1:19:42 Question of Latino Presence in Soul Plane
1:20:13 Concept Development Inspired by Trading Places
1:20:43 Script Development and Writer Collaboration chapter 3
1:20:43 Negotiations and Script Ownership Conflict
1:21:15 Rewrites with Diverse Writers and Creative Tensions
1:21:46 Studio Intervention and Writer Protection
1:22:46 Creative Process and Conflict Resolution chapter 1
1:23:16 Finalizing the Script with Original Writers
1:23:48 Industry Networking and Unexpected Opportunities chapter 1
1:23:48 Networking at MTV Awards and Meeting Snoop Dogg
1:24:49 Early Collaboration with Snoop Dogg chapter 3
1:24:49 Snoop's Offer and Initial Video Collaboration
1:25:21 Meeting Snoop on the Street and Unexpected Connections
1:25:52 Snoop's House Visit and Video Production Plans
1:26:22 Brazil Trip and Soul Plane Development chapter 1
1:26:22 Travel to Brazil and Soul Plane Casting Discussions
1:27:55 Casting Challenges and Latino Representation chapter 3
1:27:55 Snoop's Desire to Fly the Plane and MGM Reactions
1:27:55 Struggles with Casting Latino Characters
1:29:49 Negotiating Diversity and Script Adjustments
1:30:29 Introducing Sophia Vata to the Cast chapter 2
1:30:29 Sophia Vata's Casting Journey
1:31:32 Finalizing Sophia's Role and Film Production
1:32:02 Casting Challenges and Star Power chapter 4
1:32:02 Introducing the Lead Actress and Her Sister
1:32:32 Casting Sophia and Makeup Dynamics
1:33:03 The Actress’s Commanding Presence and Anecdotes
1:33:35 Meth Man’s Serious Approach to Acting
1:34:06 Managing On-Set Dynamics with High-Profile Talent chapter 2
1:34:38 Kevin Hart’s Height and Casting Strategy
1:35:43 Snoop’s Role Negotiation and Studio Concerns
1:36:14 Navigating Legal and Safety Concerns on Set chapter 2
1:36:14 Creating a Safe Environment for Snoop’s Smoking
1:37:16 Protecting Talent While Maintaining Production Integrity
1:37:46 Discovering New Talent and Building Careers chapter 3
1:37:46 Discovering and Launching New Artists
1:38:48 Kevin Hart’s Early Career and Studio Pushback
1:39:20 Balancing Creative Vision with Studio Expectations
1:39:54 Insurance and Capital for Film Production chapter 4
1:39:54 Defining Insurability for Movie Budgets
1:40:25 Using Mr. Lee as a Case Study in Uninsurable Talent
1:41:00 Capital Raising and Studio Insurance Requirements
1:42:30 Kevin Hart’s Height and Casting Adjustments
1:43:00 Heightism, Casting Challenges, and Industry Bias chapter 3
1:43:00 Heightism as a Form of Industry Racism
1:44:30 Casting Short Actors and the Myth of Height Bias
1:46:00 AI-Assisted Casting to Counter Heightism
1:46:30 Reforming Casting Practices and Multicultural Representation chapter 1
1:47:30 Launching a Multicultural Film Project (Kids)
1:48:42 Early Casting Opportunities chapter 3
1:48:42 Transition to Realistic Casting
1:49:14 Working on Urban Films and Commercials
1:49:46 Tupac Connection and Airport Pickup
1:50:18 Rise in Commercial Work and Money Flow chapter 2
1:50:18 Commercial Success and Income Growth
1:51:23 High-Paying Video Projects
1:52:26 Racial Casting Challenges and Personal Identity chapter 4
1:52:26 Office Expansion and Team Building
1:53:29 Casting Biases and Skin Tone Discussions
1:55:01 Name Mispronunciation and Cultural Identity
1:57:10 Racial Acceptance Struggles in Hollywood
1:58:13 Brotherly Conflict and Identity Struggle chapter 3
1:58:13 Brotherly Tension and Personal Growth
1:58:45 From Actor to Director: Career Shift
1:59:16 Navigating Latino Identity in Hollywood
2:00:00 Negotiating a Film Project and Cultural Representation chapter 2
2:00:00 Project Offer and Budget Negotiation
2:01:20 Cancellation Fee Conflict and Miscommunication
2:01:51 Casting Challenges and Industry Dynamics chapter 3
2:01:51 Casting Director’s Racial Expectations
2:02:21 Releasing and Rehiring for a Black Casting Role
2:03:22 Highlighting Latino Representation in Media
2:04:27 Personal Reflections on Latino Representation chapter 1
2:04:27 Final Reflections on Industry Challenges
2:05:29 Early Career Conflicts and Family Dynamics chapter 1
2:05:29 Brotherly Disagreement Over Podcast Idea
2:06:02 Atlanta Networking and Killer Mike Collaboration chapter 1
2:06:02 Atlanta Tour and Killer Mike Video Pitch
2:06:32 Red Carpet Experience and Unexpected Money Scene chapter 1
2:06:32 Red Carpet Encounter with Killer Mike
2:07:04 Body Tap Strip Club Incident chapter 1
2:07:04 Body Tap Strip Club Money Throwing Scene
2:07:35 Encounter with Killer Mike and Big Boy chapter 1
2:07:35 Discussion with Killer Mike About Big Boy
2:08:07 Meeting Chris Robinson and Early Morning Confusion chapter 1
2:08:07 Morning Encounter with Chris Robinson
2:09:42 Working with Robert Dario and Industry Perception chapter 1
2:09:42 Collaboration with Robert Dario and Industry Challenges
2:13:23 Challenges of Latino Representation in Film chapter 3
2:13:23 Perceived Judgement in the Film Industry
2:13:53 Robert Dario’s Offer and Cultural Expectations
2:14:25 Navigating Professional Image as a Latino Actor
2:14:56 Negotiating Identity and Professionalism with Robert Dario chapter 3
2:14:56 Confronting Stereotypes During a Meeting with Robert Dario
2:15:28 Dialogue About Identity and Respect in the Industry
2:15:58 Robert Dario’s Cultural Background and Its Impact on Collaboration
2:17:02 The Dynamics of Collaboration and Cultural Understanding chapter 2
2:17:02 Financial Dynamics in Film Projects
2:17:02 Balancing Artistic Vision and Commercial Viability
2:18:04 Production Highlights and Upcoming Projects chapter 4
2:18:04 Upcoming Film “Spanish Fly” Production Wrap
2:18:35 Discussion of Cultural Representation in the New Film
2:19:37 Announcement of a Handball-Themed Movie Project
2:20:08 Plot Overview and Cultural Diversity in the Handball Film
2:21:11 Discussion of Documentary Premiere and Upcoming Projects chapter 3
2:21:11 Documentary Premiere on Amazon Prime
2:21:41 Mention of Rolling Stones Awards and Personal Anecdotes
2:22:12 Promotion of Active Rehab and Future Plans

Transcript

Loading transcript...