Scott Turow and Dustin Hoffman discuss the complexities of adapting novels to film, the role of serendipity and perseverance in creative careers, and Turow's evolution from prosecutor to author. Key insights include the structural differences between novels and screenplays, the importance of writing for passion rather than money, and Turow's argument against capital punishment based on systemic fallibility.
“A book gives you the layers and in the screenplay you have to make it up and if you don't have the right director that doesn't happen there's also not rehearse there's no rehearsal.”
“I think there are three ingredients to successful career in the arts one unfortunately is talent another is perseverance which in the arts is easier said than done because most people spend a lot of time getting knocked down uh and many of them just eventually just don't get back up again... and the third is luck.”
“The right question is a lawyer's question: can we ever construct a capital system that reaches only the right cases... and the answer to that question is unequivocally no.”
“It is not true for fifth or sixth time authors... once they learn that then they confront what dustin was talking about you have to make a living at it you cannot go on doing it unless you can make a living at it.”
“Every writer has the same experience of finding his head in the refrigerator and wondering what am i doing here and the answer is because it's the furthest point in the house from your computer.”
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