Simon Hellberg discusses his journey from theater roots and anxiety struggles to his 11-year role on The Big Bang Theory, highlighting the industry's shift from hopeful tech culture to the darker themes of his new show The Audacity. He shares personal anecdotes about navigating parenthood during the pandemic, overcoming panic attacks through therapy and medication, and the unique challenges of co-directing a film with his wife Jocelyn. The conversation underscores the value of artistic fluidity and the importance of mental health support in high-pressure entertainment careers.
“I felt very very content ending at that point... it was a natural ending too in the sense that we weren't renewed like it we weren't picked up and it was kind of um it was only as the season ended that they started even talking about more right but they had never talked to us so it was a little bit funny in that sense.”
“I'm going to try like I I'm just so like dorkked out about acting that I'm like, oh, I this this will be fun to come in and like have a job where I feel like there are no stakes because I've been doing it for so long that I've finally gotten over like my crippling anxiety and I can just be like, 'What happens if I hum a pixie song in my head while I'm doing this scene?' Turns out not that much.”
“It's like it's sort of an alternate universe from Big Bang Theory... it's like the dark underbelly. It's about ego. It's about loneliness. It's about wealth. And like really the loneliness that that that super intelligent mind sometimes requires in order to to work.”
“I remember just flash flashes of this moment but like I remember like being in a vestigle of like a building trying to just like catch my breath and like like hyperventilating and someone coming up to me asking if they needed to call an ambulance and I was like freaked out to turn around Justin was with me but I was kind of running way cuz he was also like dealing with like he was trying to settle the bill and I was like trying to get out of there and like I ended up running and he couldn't find me.”
“I love being in somebody's like painting, you know? I love I love that. I mean that's I guess what you always want to do, but sometimes you can feel it more... sometimes you can feel less of the machine and more of the person, right? And this is like a and the the cast is unreal... it's just um and it's a lot of funny people doing sort of deeper stuff.”
42m
38m
34m
37m
36m
42m
45m⏭ 1
34m
34m
1h 20m
2h 35m⏭ 2
1h 0m
32m
40m
1h 10m
1h 14m⏭ 1
2h 42m
1h 31m
2h 14m
1h 11m⏭ 2
1h 19m⏭ 1
1h 0m⏭ 1
33m
3h 59m⏭ 5
46m
3h 54m⏭ 7
54m⏭ 1
1h 13m
9h 11m
1h 26m
54m⏭ 2
6h 26m
58m⏭ 5