Elliot Page discusses his role as Son in Christopher Nolan's 'The Odyssey,' highlighting the film's massive box office success and the emotional impact of the Hades scene. He contrasts his current organic acting process with past experiences, emphasizing the importance of emotional connection and physical anchors. The conversation also covers technical filmmaking details, including IMAX camera limitations, mirror systems for eyelines, and the collaborative environment fostered by producer Emma Thomas.
“People seem to be really affected by the Hades scene... it made them think about something in their own life and it's been a really beautiful thing to connect with people.”
“I don't think I was good enough to act with pink tape... I do want to look at another actor... for the Hades scene the mirror was set up so I would still be able to look at Matt.”
“It's about mining those feelings and then more like crafting out from that... you know a manifestation of what that could be.”
“I've never seen Emma lose her cool. I've always just seen her be this like rock and anchor that really enables this whole machine to operate.”
“Knowing yourself more and embodying yourself more weirdly lets you let go. You're in a flow state. It's all you're in a natural space that you can just let things happen.”
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