Open Mike Eagle and Kenny Segal discuss their collaborative album 'Doomed,' exploring the creative process of a multiversal breakup concept, the role of long-term trust in producer-artist dynamics, and the impact of the competitive Project Blowed scene on their artistic maturity. They also address the democratization of music production via AI, advocating for high barriers to entry to ensure artistic quality, and highlight podcasting as a vital tool for artists to control their own narratives.
“The DIY version of controlling your own narrative is turning on a microphone and telling people what it is you want them to know.”
“Barriers to entry are sometimes a good thing... Having to have a minimal interest in create in a type of art form before you become a creator in that art form I think is a good general prerequisite.”
“If you can make a music video while you're taking a dump on the toilet, it's probably not going to be the best the best art.”
“Project Bloat is definitely a spot where people tell you to your face that you're whack... You have to literally push and shove to get your spot.”
“I'm not scared of sending you something... I know whichever one you choose is going to be something that's interesting.”
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